For independentb.blue: Senior Motion Designer

One master.
Every format, every language.

Ads that are designed once and then delivered in 9:16, 4:5 and 16:9, in German, English, French or whatever the campaign needs. Built on a clean motion system, with AI footage worked into the same pipeline instead of bolted on.

Freelance, full-time capacity100 % remoteEnglish and German5 years motion design, now AI video
See the work

Motion work

All of these were made for earlier briefs on invented brands, so they show craft, not a client list. Sound on.

App launch · 16:9 · 25 sUI animation, layer by layer

Every card, chart, toggle and tap animated on its own, the way separated Figma frames would be. Logo build, 3D phone, count-ups, screen push.

Same piece · 9:16Re-laid out, not cropped

Headlines, phone and floating cards placed again for the vertical frame.

Logo intro and outro · 4 s + 7 sFive beats, one impact

Vector build, eased moves, sound design on every hit. Masters in 4K, 1080p and ProRes 4444 with alpha.

B2B explainer · 16:9Storyboard to animated graphics

Animated diagrams flowing into a simulated software screen, with voice-over and captions.

Localised: one end card, three languages

The animation stays identical, only the text layer changes. Line lengths are checked per language, so a long French line never breaks the layout.

DEGerman
ENEnglish
FRFrench

From a marketplace promo concept with the placeholder brand "YourMarket".

AI footage inside a real ad

An AI-generated pour shot (Kling), finished with grade, music, sound design and type, then delivered for Reels and for the feed with the safe zones respected.

9:16 · 1080 × 1920Reels and Stories
4:5 · 1080 × 1350Feed
How AI fits the production
  • Stills firstProduct, people and set locked in one approved frame before any motion.
  • Right model per shotKling, Veo, Seedance or Grok, chosen by what the shot needs.
  • Checked at full sizeHands, faces, labels and logos frame by frame before it goes near the brand.
  • Finished like any footageGrade, type, sound and brand system on top.

Sample for an invented winery, labelled as AI-generated.

The workflow: one master, many versions

The expensive part, the creative and the motion, happens once. Everything after that is versioning, and versioning should be a system, not manual rework.

MasterApproved creative, brand system, timing
→
Text and layouts as dataCopy per language in one sheet, one layout per format
→
Batch render + QAEvery version named, checked and delivered

Build the master

Concept, styleframes, animation in 16:9 or 9:16, approved with the team. Brand guidelines respected from the first frame.

Separate the variables

Headlines, CTAs, legal lines, prices and logos become fields. Translations go into one table that the team can review.

Re-layout per format

9:16, 4:5, 1:1 and 16:9 each get their own placement and safe zones, so nothing is just cropped.

Render and check

Scripted batch rendering, then a QA pass on every file: cut-off text, line breaks, loudness, file specs.

Tools

  • After Effects, Illustrator, FigmaMotion design background, layered files in and out.
  • Remotion and scripted renderingCode-driven templates for large localisation batches.
  • AI video and imageKling, Veo, Seedance, Grok Imagine, Nano Banana Pro, ElevenLabs for voice and music.
  • Automation via MCPI work daily with Claude Code and MCP connectors to AI generators and DaVinci Resolve, to automate renders, versions and checks.

How I work with your team

  • Remote from ThailandSix hours ahead of Berlin: feedback sent in the evening is worked in by your morning.
  • Clear handoversProject files, naming and version lists your designers can pick up any time.
  • Brand consistencyGuidelines turned into reusable motion components, not re-animated per ad.
  • Real campaign experienceCampaigns and reels for a hotel and regeneration brand in Vienna with ten partner hotels.

A quick test with your material

Simply reply to my application. I am happy to send a short test with your material, for example one of your ads localised into a second language and a second format.